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The Judges
Who were the judges?
For the first A1 Open Summer Exhibition we invited
an impressive group of individuals from the art world,
regionally and beyond, to assess the work of the
entrants.
Our team for 2008 were as follows:
Greville Worthington, Chairman
Greville is a collector and curator, Trustee of The
Yorkshire Sculpture Park and The Henry Moore
Foundation as well as serving on the Turner Prize
Judging Panel in 2004. Nowadays, he focuses less
on collecting artworks, taking an interest in collecting
itself.
Emma Wesley, Portrait Painter
Emma is a young and talented portrait artist. She
was elected a member of the Royal Society of Portrait
Painters in 2007. Emma has exhibited widely. She has been selected for inclusion in the annual BP Portrait Award Show held at the National Portrait Gallery in London, on numerous occasions, including this year.
Simon Palmer, Watercolourist
Simon was born and has lived most of his life in Yorkshire.
His enigmatic, captivating paintings often pay
homage to this area of Northern England. In 2006,
Simon won the The Winsor & Newton Turner Watercolour
Award in the RA Summer Exhibition. He has been
commissioned by the NationalTrust at Sissinghurst
and Salt's Mill in Saltaire.
Sonia Lawson RA
Sonia is a painter and a teacher. The daughter of
famous Dales painter, Fred Lawson, she has spent
over twenty-fifi ve years as a guest Lecturer at the Royal
Academy Schools in London. Sonia has judged the
RA Summer Exhibition on several occasions. Her
paintings are in private collections and galleries across
the country and abroad.
Ronnie Duncan, Collector
Ronnie has been an avid collector of art for over 50
years and has amassed an outstanding collection of
work by modern British artists such as David Hockney
and regularly loans work to galleries around the
country.
Godfrey Worsdale, Director, Middlesbrough Institute of Modern Art (mima)
Godfrey studied Art History at the London Institute
from 1985 – 90. He began his curatorial career in the
Department of Prints and Drawings at the British Museum
before moving to Southampton City Art Gallery
as Curator in 1995. In 1998 he became Director of the
gallery, where he worked until he recently moved to
Middlesbrough to establish mima.
Dr Véronique Gerard Powell, Art Historian, Sorbonne
Veronique has taught at the Sorbonne
since 1981, where she specialises in the Spanish artist,
Goya. She has a collection of old master drawings
and contemporary British paintings.
The Judging
How did they do the judging?
On arriving at Aske Hall at 9 o'clock on the 23rd June,
the judges were asked to inspect as many of the
pictures as they could, so as to determine the general
standard of what had been submitted.
The team of seven judges were then divided into two
groups of three, with the Chairman moving between
the two groups, to keep a check on their progress.
A group of sixteen porters, eight working with each
group of judges, arranged the pictures in such a way
so that when the judging began at 10 am, there would
be no lag in the proceedings.
If an artist submitted one, two or three pieces, they
were all placed on a set of easels so the judges could
easily view them individually and as a group.
Godfrey Worsdale, one of the A1 judges commented...
"Open shows like the A1 Open are a brilliant
means for artists to get exposure for their work. Yes,
they have to go through a selection process, but
because all entries are assessed anonymously, they
really are judged purely on originality and artist merit."
By 6 pm, almost 1,200 pictures had been examined.
The judges then reviewed their short-listed works by
category, in other words, all the oils, followed by the
pastels etc. Then as a group of seven, they cast their
votes for what they believed to be the best picture in
each category.
Lastly, each judge was asked to select what they believed
to be the five best pictures that they had seen
during the entire day. These 35 pictures were then
voted on to determine the Judges' Choice for the 1st,
2nd and 3rd place overall winners.
"I'm certain that at the end of the day we have come
up with a very good cross-section of work for this, the
fi rst A1 Open Exhibition, from both professional and
amateur artists," said Greville Worthington, as the
shutters at Aske Hall were closed. "I'm only sorry that
we couldn't have chosen twice as many pictures for
the show."
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